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* He is a beginner specialist What that is I’m not sure. This isn't the result of a purposeful attempt to create a compound radius, which allows string-bending with less-noting out; it just happened. Rene elongates the slot, again by grinding, and then smoothes any rough metal edges. It has become the focus of many guitarists’ ultimate tone. Rene has refretted the neck at least twice, and in the process the fingerboard has evolved into a 9" or 10" radius in the upper register. Stevie prefers the sound of bone, although for studio work he had Rene make brass nuts for Scotch and Red. He puts a small wad of cotton at the bottom of the tremolo-block hole to keep the bar from over-tightening and becoming hard to remove if it breaks. - Vaughan's main guitar was a beat up Fender 1963 Stratocaster which had a Fender `62 rosewood neck and was referred to as `Number One'. Rene changes strings every show for each guitar that gets played. Guitars. Rene showed me why the strings break, and how he takes care of the problem: As a string breaks out of the vintage Strat tremolo block/bridge top plate, it "breaks" or contacts, the metal directly; this causes a slight kink that weakens the string. Rene prefers the durability of the stainless steel Fender tremolo bars. That issue featured Stevie Ray Vaughan and Jeff Beck together in one interview as they were touring in tandem at the time. Live lessons done via Skype with a qualified instructor giving you instant feedback no matter where you are in the world. Possibly one of the most sort after guitar tones, Stevie Ray Vaughan’s signature sound is an ongoing debate in the musical world today. He used 13’s with a very high action. This page contains detailed information on Stevie Ray Vaughan's guitar setup. It could be his raw natural talent that came through in his sound as well. He spent the day with Rene Martinez, Stevie's guitar tech and compiled a detailed report on virtually all aspects of the setup on the guitars Stevie was touring with at the time. Stevie's Number One was somewhat flatter than the vintage 7-1/4" radius. Before anything else, if you want to sound like Stevie Ray Vaughn – get yourself a Strat. That issue featured Stevie Ray Vaughan and Jeff Beck together in one interview as they were touring in tandem at the time. The information comes directly from the article "Supernova Strats" by Dan Erlewine as published in February 1990 issue of Guitar Player magazine. Number One, the beat-up sunburst that we all know, is Stevie's main squeeze. Stevie Ray Vaughan used multiple combinations of amps at the same time to achieve the sound that is typically his. Being introduced to SRV and Double Trouble, and after recovering from my face melt by Stevie’s pure natural guitaring abilities, the facet that most captured mine (and most first-time listeners’) attention is his incredible guitar tone. * Plays in the band Guilty Clockwork Stevie's Number One, Lenny and Charley have standard Fender-style nuts, but Rene makes them from bone. He also downtrend his guitar to E-flat which also lends to a darker, fatter tone suited for blues playing. In November 1989 longtime Guitar Player magazine repairs and modifications columnist Dan Erlewine had the chance to go over Stevie's guitars with a fine-toothed comb. Vaughan's standard vintage tremolo uses all five springs. It is a combination of raw overdriven power, mixed with the sweetest blues crunch imaginable. * Been with your Guitar Excellence since 2009 Perhaps even spend more money on more effects and setups and still there will be that little something that just isn’t present in your tone that separates and distinguishes Stevie Ray Vaughan from all the musicians in the world. Equally as many hours on your setup and still come up short on that SRV tone. He lubricates everything that moves: mounting screws/plate; all string "breaks" and contact points, including the saddle peaks; where the springs attach to the block and claw; the nut slots; and the string trees. Stevie Ray Vaughan used giant strings, so you’ll have to do a bit of work. Finally, he slides a 5/8"-long piece of plastic tubing (insulation from electrical wire) over each string to protect it from the metal "break points." Stevie Ray's tuners are all originals, and each has three full string winds to get the best angle at the nut. Knowing the radius of the fingerboard can help in setting up a comfortable bridge saddle height and curve. A fingerboard should either be dead flat or have a slight up-bow, known as relief, in the direction of the strings' pull. Stevie's Number One wants to break high E and B strings at the saddle every chance she gets. He had heavy guitar strings that he could strike with power and aggression. He also used a Roger Mayer Octavia. * He has been playing for 6 years. It is this tone that has captured the hearts of many guitarists across the world, including me. I leave you with this famous saying by one of SRV heroes. He uses the heaviest piece of tubing he can get that still fits down the tremolo/block hole. Rene plans to try a Teflon wire insulation if he can find the right size. The most notable of these is the Ibanez Tube Screamer. The only significant change from the stock on these Strats has been the addition of 5-way switches and a good coat of shielding paint in the control cavities. Even with this, the high strings still cut through the plastic quickly (sometimes in one set), and when they do, the strings break. Guitar. © You may ask yourself where you went wrong? The three key aspects to focus on here are: 1) Guitar 2) Amp and 3) Effects, and then putting them all together. Before anything else, if you want to sound like Stevie Ray Vaughn – get yourself a Strat. Improve your guitar playing with the latest tips, tricks and power stance moves in your inbox every month! His amps ranged from Fender tube amps such as Vibroverbs, Twin Reverbs, and most well known – a Fender tweed Bassman. He emphasizes the importance of lubricating all the moving parts of the tremolo system, preferring a powdered graphite-and-grease mixture (the grease holds the graphite in place where it's needed). Despite all this, one can spend thousands upon thousands of $ on equipment. Over the years there has been a myriad of explanations and solutions to achieving his sound and this article will attempt to help put this myth to rest – one way or another. Stevie's guitars had approximately .012" of relief around the 7th and 9th frets, and then leveled out for the remainder of the board. These frets would have started out at .055" tall when they were new, and were probably either Dunlop 6100 or Stewart-MacDonald 150 wire. The ultimate way to get his tone with the above equipment mentioned is to play with your heart 100% of the time and feel the music. 2012 - 2020, Implementing Dependency Management using Azure DevOps, Managing Dependencies on a Scaled Agile team, Installing Hero Combat Manager - versions after 1.12, Nyonia - Celestial Jewels - Cultures, Governments and Technology, Introduction to building of Nyonia - Celestial Jewels. © Copyright (All text, information, images, media, and design are copyright Guitar Excellence, CC 2004-2020) | 35 Fredman Drive Sandton 2196 South Africa. Stevie Ray Vaughan's Guitar Setup. In many respects, the way that Stevie Ray Vaughan set his guitar up aligned with his playing style. The body has the initials `SRV' on the lower part of the scratchplate and is fitted with a left-handed vibrato …

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